Friday, July 27, 2012

Recap: Clash/Courage


Monsuno has proven to be a strange bird in the anime world. While the genre has been
pushing the limits more and more with improving long-running series and wonderful new
original works; this show is content with attempting to set the genre back to the 1980s and
Carl Macek's infamous methods of storytelling.

How did it come to be? Well, like a lot of series I've covered in this blog; it was
created to sell a toy line and trading card game. Jakks-Pacific, who currently owns the American
license for Pokémon toys; partnered with trading card publisher Topps to make a new
trading card game and trading figure game in the vein of Bakugan. They also planned out an
animated series that is a coproduction between Fremantle Media, who produces game shows such as “The Price is Right” and “Let's Make a Deal”, and Man of Action Productions, who
animated the original “Ben 10” and sister series “Generator Rex”, which both draw influence
from anime and tokusatsu, the live-action special effects genre of shows and movies in Japan.

I am well aware that it's sort of cheating to do a recap of this series, due to the nature of its production (the scripts and characters are American-made, but the monster designs and animation are done in Japan); but it resembles an anime of its type so closely that it fits here.
So, let's open up the 1-hour pilot, “Clash/Courage” and see how this is all going to go.

We open on a teenage boy being chased through the forest by a dinosaur. Definitely an
interesting way to go about the cold opening.




The boy is cornered on a ledge, and we instantly cut to our theme song. Director Nicholas Meyer, who made “Star Trek: The Wrath of Khan” once said that every work inevitably becomes a product of its time. Given the fact that the theme song for Monsuno is
a garbled mix of Auto-Tune and digital warbling, it will definitely be pegged with me 10 years
from now as being the first piece of dubstep I have ever heard.  




We go back to the show proper, and we see the earth experience a cataclysm that destroys it.

Don't wanna close my eyes, don't wanna fall asleep,'cause I'd miss you baby, and I don't wanna miss a thing!

We then see another boy and a girl, and the first two minutes are revealed to be a dream.
As the teenagers partake in banter about how they've been living off packaged trail mix for
almost a week; I notice that the animation quality is remarkably shoddy. While the character
design and environments are well-put together, the animation itself moves so rigidly that it
could have easily come from a show that's 20 years older.




I could think of little else as the three continued their conversation. Between Chase Suno, our lead, Bren, our nerd, and Jinja, our fulfillment of the Smurfette principle; they don't
really move like an anime that was made in this time period. It could easily be mistaken for a parody of such series produced with one of those cheap animation software kits.

In an age where a dullahan stalks its prey in the city lights of Ikebukuro, young women
wield undergarments that turn into firearms and blades, and there is finite proof that tokusatsu
and American comic book heroes can exist as the same people; is it too much to ask for a show
to have an almost cinematic quality to the most mundane situations? I think not. Most of
the slice-of-life shows with female-centric casts I've seen can make things as simple as
ordering coffee drinks or mishaps with lost shoes almost Miyazakian. So, what was the logic
of pouring most of the animation cost into the first two minutes and making the rest look like
the infamous Korean-animated knockoffs of Macross and Mazinger Z?


Wow, three minutes in, three paragraphs spent complaining about how off-model the animation is. I have an idea, let's change the subject. Bren remarks they are on their way to
the Core-Tech laboratory, where hot food and beds wait. Jinja replies that the situation in the forest has made Bren neurotic. It's not the word I would have chosen. As it goes along, we will
see that it would have been more apt to use completely FUBAR.  


Anyway, they not only come across the Core-Tech Laboratory, they commit their first
felony by breaking into it. Our heroes, ladies and gentlemen!



We then meet Jon Ace, our resident Duke stand-in. Ace shows Chase and his friends
the vault where Chase's father, Dr. Jeredy Suno has things waiting for them. They get a Core- Tech tablet; further proof that this show was indeed made in the 2010s as it is clearly this
universe's iPad.


Just then, the evil STORM organization comes in with a furor not that different from
Cobra. If that's not enough, check out Trent, the guy running the job. With that goatee and
glare, he couldn't be a less obvious villain. He's just a top hat and handlebar mustache away
from becoming Snidely Whiplash.  





Trent starts making all these demands for a Core and this thing called The Lynchpin.
Look, if you're going to make all these plot-important elements, set them up. You can't just
throw them randomly in the script and expect people to be invested.

Chase activates the Core by spinning it with a flick of his wrist, until it hits a hard surface. It releases...Iorek Byrnison. Okay.



Chase and crew escape on Iorek's back as STORM gives chase. We also get one of the
most peculiar profanity substitutes in a kids' TV show since the SpongeBob episode where
profanities were replaced with nautical sound effects.

Bren: Crag!

Crag? Crag?! What is crag?! (checks dictionary) Oxford English definition: Crag (krag)
Noun. A steep and rugged cliff or rock face. Huh. Something tells me this is going to be a catch- all word for whenever something bad happens, and I don't like that.  


Chase and his friends manage to elude STORM, at least for a little while. He decides
to name his Monsuno Lock, after a poem he and his father used to say.

Speaking of which, Chase discovers a message from his father about the world of Monsuno. We get a big exposition dump here, so I'll just sum it up like so: the event that killed
the dinosaurs created the Monsuno essence, and Jeredy wanted Core-Tech to help make
Monsuno beneficial to mankind. Unfortunately, since STORM also helped fund the project,
they became power-hungry and wanted to use them for world conquest.

Even I get boarded sometimes. You think I had a choice?


Chase says “return” in order to get Lock back in his core. This reminds me of another
famous franchise, but I made a commitment not to use the p-word when talking about this show.
Once again, STORM confronts Chase and demands he hand over Lock and the core. Chase
refuses, as if to say, “I'm not going to give you my mass-produced, affordable Japanese junk!
God!”

This results in the first Monsuno battle with STORM's toy-er, monster, Crumple, a
kind of mammoth/lion combination. It is an action scene that drags on with hokey special
effects and bad direction.



STORM is forced to retreat. Trent confers with the leader of STORM, a woman named
Charlemagne. She is essentially this show's version of The Baroness-same skintight military
outfit, same ambiguous European accent, same pouty lips and flowing hair.  




As we close the “Clash” segment of this recap, I note that I made a lot of comparisons
to GI Joe here. Part of the reason I seem to be doing that is the whole idea of a merchandise- driven show like this would be right at home in the 1980s, where a boy's power could be
gauged by his collection of Masters of the Universe figures, or their economic status could
be told by the fact that they could afford Transformers and not have to settle for Go-Bots (which would later be bought by Hasbro so they could apply the concept to Transformers-it's kind of
weird); where My Little Pony was still the object of exclusively little girls' affection before
Lauren Faust decided to change that and make a My Little Pony show for everyone.

With that said, here are some old commercials while I work on the “Courage” segment
of the recap.


Now we shall tackle the “Courage” segment of the 1-hour premiere of
“Monsuno”. No discussion of the theme song this time, we move right on to the episode proper.

We began with Chase, Bren, and Jinja once again breaking into the Core-Tech laboratory, this time making some small talk about toiletries. The remaining STORM forces
leave, and our heroes (I am using the term loosely) discover a bomb. It explodes as they duck
for cover.


Some days, you just can't get rid of a bomb!


I've always wanted to make that joke. They decide to attack one of STORM's vehicles.
Well, you've already got breaking and entering, vandalism, and destruction of private property
on your rap sheet, why not add grand theft auto?

Two of STORM's soldiers are driving their vehicle across the mountainside to elevator
music, when Chase jumps out in front of it. The soldiers grab their guns when Lock pries open
the door of the truck and looks in on them.




Do you think we're interrupting something?




The two soldiers promptly fill their fatigues with fudge and make a run for it, with Jinja
remarking that she always wanted to be a human shield. That's an interesting fetish.

Here's some shipping fuel for you.



As Lock continues to rampage, the soldiers flee to regroup and change their pants, with
Chase frantically trying to use the “return” command on Lock.

Chase succeeds, and the gang decides to go through the truck for anything of value.
Breaking and entering, vandalism, destruction of private property, grand theft auto, and burglary. They're not of consenting age, and now they have a whole criminal record between them.

They gather documents about the Monsuno essence, and come across some equipment
that could come in handy, which Chase deems “lish.” Crag? Lish? Do these writers honestly
think these will catch on with 2010s vernacular?


Monsuno Holder and Cores on sale now!
Available at Target. Expect More, Pay Less. (C)


They also discover a used core as the Core-Tech tablet pings, signaling the start of
more exposition. Jeredy narrates that he created another Monsuno, Quick Force, and intended
to put it to good use, but STORM gained more power and subjected it to cruel experiments.



They thought I was mad, but I'll show them!
I'll prove that battle of the sexes stories are always funny!



Jeredy goes on to say that much of his lab was destroyed, and he felt devastated by
what STORM did. His voice actor just sounds so listless though. He might as well say,
“Now I must do my laundry. Did STORM leave any change when they ransacked the place?”

We cut to a STORM laboratory, and we find that Quick Force is being tortured. One thing that amused me is a lab worker that resembled a rice ball filled with egg pudding.


Just, look at him.


We see Jon Ace and Trent, talking with each other about the morality of the experiments
they're performing. We can replace you with Leno, you know.  

Since GI Joe Retaliation got delayed, Duke and Flint
had some unused vacation time.



We cut back to the gang, and Jinja hotwires the stolen vehicle. She intends to use it to
storm the facility (no pun intended). Wait, after they put on their seatbelts. Remember kids,
always put on your seatbelt when you drive a stolen military vehicle!

Ain't nobody gonna take my car, gonna race it to the ground!
Ain't nobody gonna take my car, gonna break the speed of sound!
Ooh, it's a killing machine, it's got everything...


They reach the facility, and they try to get in. I don't know, drive casual. STORM demands a passcode. Bren modifies his voice for the code, dropping a phrase that the situation
is “messed up.” Alarmingly, it works. It's an older code, but it checks out.

Chase goes in, using the excuse that he has to use the bathroom. STORM doesn't fall
for it, but it does provide a distraction for Bren and Jinja to do their dirty work. Jinja remarks
that Chase may be lacking in brains, but he has it where it counts. …

What? This guy managed to mastermind a break-in, elude and outwit trained security forces, and trick said forces into letting them in, and you're saying he's lacking in brains? Oh sure, those tactics reek of idiocy! Did you forget to take your Paxil this morning?

Bren then decides to hack into STORM's computers in order to find Quick Force's location. They find the room where Quick Force is being held; and cause a distraction.



Oh, will you just propose to her already?


The STORM forces evacuate the lab because of a Halogen leak. Oh no! Our florescent lights will be useless! Chase wonders how they're doing, and the truck comes barreling down the hall.

Oh boy, looks like Jake and Elwood are going to another show.







The gang meets up in the lab where Quick Force is being held, and Chase determines
which of his friends will get the Core that holds Quick Force. Where does he get those
wonderful toys?

Jinja says that she wants to be in control of Quick Force, while Bren insists he can
do it. Jinja goes all Roget and rattles on about “courage” and many of its synonyms. Bren says
that he's up to the task, and the containment field is deactivated. Bren tries to calm Quick Force
down by saying “Nice Horsey!” It actually looks more like gryphon. Finally, he musters the courage to say “Return,” further associating with a series I swore not to mention when talking
about this.


Trent and his men catch up with them, and claim that Jeredy and the other scientists don't see the big picture. Baloney. If anything, they know more about this “sitch” than your
thugs do.

In the exchange that follows between Trent and Chase, the word “danger” and its variations are used 12 times in 30 seconds. I never thought I'd have to dig this song up from

The animation is still proving to be quite inconsistent. At times, it almost looks like
something done by Katsuhiro Otomo, but at others, it looks like that really crappy movie from


We get another action scene, it ties into the above statement about the animation. It seems the animators put the good animation toward posing, and left the bad animation for fighting. It's like how most Kamen Rider shows have a costume for posing and a costume for fighting.






It has become quite clear where this show's priorities lie. The problem is, they lie in
the wrong place. Chuck Sonnenberg, better known by his screen name of SF Debris, said
in his review of Star Trek V: The Final Frontier that a director might not always be able
to pursue the vision he wants with the budget constraints, and may have to change his vision
to make it applicable to the budget. It is entirely possible to make a vehicle for selling toys
a well-written, well-animated series. Beast Wars managed to save Transformers by slowly
morphing into a science fiction story with real consequences for characters and engrossing,
emotional plots; while also paving the way for CG animation in television, much like fellow
series Reboot. My Little Pony: Friendship is Magic took a series that was infamous for
being reviled by any male and gave it great life lessons and almost Disney-quality animation;
just by virtue of being a well-written, well-animated show.
Despite my rant, it is highly unlikely that this show will aspire to reach the heights of
more cinematic cartoons like Transformers Prime or Green Lantern: The Animated Series.
I also realize that I still have five minutes to go.

Chase unleashes his second utterance of “Crag”, and he breaks model. I will now
retract my statement about decent character design that I had in the “Clash” segment of the
recap; as it is now not much better than what I drew in the margins of my notebook in high
school. 







STORM troops continue to tear up the location to stop Chase, even destroying some
of their own vehicles and equipment.

Must be a pretty swank organization to throw away a $1.50 helicopter!


Trent pulls out a Monsuno launcher, and fires out his Monsuno, Rico-shot. It resembles
a massive beetle. 

Rico-Shot! Only $5.99 at most toy, game, and retail outlets!


Rico-shot attacks with a Guile Sonic Boom, which causes a whole mess of explosions.
Somewhere, Michael Bay is creaming himself.

Just then, Bren comes in with Quick Force, which can fly. This comes in handy as Chase
and Bren escape; leaving the Core-Tech laboratory in a massive wreck. I wonder how many
scientists are in that rubble.



Jinja comes in with this golf cart, which she probably lifted from some country club.
She then states as they drive off that controlling Quick Force must have taken courage. That's
right, courage to fight armed forces, steal things, and destroy property! Bren then says
that this could be the start of a beautiful friendship. Bren. Never. Make. A. Casablanca.
Reference. Again.



What can I say about Monsuno from “Clash/Courage”? Oh, what a series it is. It
has the animation quality of a Korean knockoff of an anime. Its story has even more shonen
clichés at its disposal than Dinosaur King. Chase, Bren, and Jinja are hilariously unrealistic
characters. STORM is every bit as transparent a villain as COBRA.

What else? Well, in its own way, Monsuno is so marvelously bad that it wraps all
the way around to being entertaining to watch. It is undeniably stupid; but I had a lot of
fun watching it, and I'm willing to see where Jakks-Pacific and Topps go with their game of
it. It is enjoyable in the same way that films like “The Room” or “Plan 9 From Outer Space”
are. If you ever want to see a show that revels in selling plastic trinkets and takes part in
every action anime cliché in the book, this is your show.

That's all for now. I'm going to take a break to take care of some business; and try
to get away from the Oregon Jamboree, the annual country music festival that comes to our
town. I will have decided what I want to recap by then, and you won't know what it is until
the recap is out.



Friday, July 20, 2012

Quick Note about the Monsuno recap.

Last night, I did my first anime news entry on this blog before I saw The Dark Knight Rises; which I loved.

Now, I shall tell about the Monsuno recap. I intend to treat the first two episodes as a single 1-hour pilot, as that is how Nicktoons aired the show.

The recap will probably be shorter than the recap of Digimon: The Movie, but will likely be posted into parts due to the amount of time the aforementioned recap took. Also, due to its nature as a TV series, I will include links to commercials in this recap.

I will get started within hours.

Thursday, July 19, 2012

4Kids Toonzai No More. All hail Saban Vortex.

4Kids Entertainment, the much-maligned anime dubbing company, was purchased by Haim Saban, creator of Power Rangers and owner of Saban Brands. In addition, the Yu-Gi-Oh anime license returned to Konami, who publishes the popular Yu-Gi-Oh trading card game.

Saban intends to replace the Toonzai block, which began broadcast on 2010, with a new block called the Vortexx. It will feature anime programming formerly owned by 4Kids, including "Sonic X," "Dinosaur King," and "Magical DoReMi", as well as the CGI television show "Cubix: Robots For Everyone," and the Korean-animated "Tai Chi Chasers."

"Yu-Gi-Oh" will continue to be broadcast on Vortexx because of a mutual agreement between Saban and Konami. These series include "Yu-Gi-Oh: Duel Monsters", which began in 2001 in the United States, "Yu-Gi-Oh GX," which began in 2005 in the United States, "Yu-Gi-Oh 5Ds," which began in 2008 in the United States, and "Yu-Gi-Oh Zexal", which began in the United States this past September.

The programming block will begin broadcast on August 25. Saban also plans to revamp the website, 4Kids.tv, into a new site to reflect the change.

That will be all.

Monday, July 16, 2012

Change of plans for recap.

Hello, guys.

I said I was going to do a recap of an episode of Magical Doremi, but I could not find any working video of the episode I wanted to do. It seems the bulk of the series was removed from 4Kids' website and YouTube channel, and attempts to find other sources were fruitless.

So instead, I will do a recap of Monsuno, the latest attempt to make an anime solely for the purpose of hawking a toy line and trading card game.

I will be covering the 1-hour series premiere, and I should have it out before the end of the month. Not too soon, as The Dark Knight Rises is opening and I intend to see it soon.

I will get started as soon as I can, anyway. Steven out.


Tuesday, July 10, 2012

Recap: The Bicker The Better.



Hello everyone, it's Pokémon Advanced Challenge time again. I have a great
love of Pokémon. Though my favorite anime series is Gurren Lagann, my second favorite
anime is Pokémon.

I fully admit that the concept is ridiculous and it's every bit about marketing the video
game series (which I also love) as it is about storytelling; and the episode structure can
be quite formulaic. However, when I'm asked about why I still enjoy the series, I simply
reply, “because it's fun.”

I also state that I really did not want to watch the Advanced Generation series or
the Diamond and Pearl series. When I finally did decide to get into them, I came off as an
even bigger Pokémon nut than I was with the original series.

As I stated in my other recaps, every TV series has to have a bad episode among the good. My first recap was of “Love, Petalburg Style,” an episode about an inferred extramarital
affair involving Norman the gym leader and Nurse Joy.

In the meantime, I am going to recap an episode that really grinds my gears. That episode is “The Bicker The Better”; an episode that is such a blatant and contrived attempt
at a “battle of the sexes” plot that some countries have even banned the episode, putting it
in the same line as “Electric Soldier Porygon” (the infamous seizure episode), “The Legend
of Dratini” (the one with the guns and the 30 Tauros), and “Beauty and the Beach” (a lost
episode that I decided was best not to explore until the glorious invention of YouTube made
it possible so everyone could, 8 years after its only airing on Kids WB).

Before I get into this, let me explain something: people are free to like and hate
what they want. One person making fun of a work should not affect the enjoyment of
said work or said person. My scathing dislike of this episode should not drag down your
perception of it if you do like this episode. Disagreements are a large part of any fandom.
I mentioned Dogasu, a Bulbagarden contributor who operates his own website of changes
made in the dub. I recommend checking it out, his work is very insightful; and he has a snark
that effectively makes him the Pokémon equivalent of Red Letter Media's Mr. Plinkett character
(the guy who made exhaustively detailed reviews of the Star Wars prequels).

Still, there have been times where I disagreed with him. He felt that Team Rocket
actually becoming good at their jobs in Pokémon Best Wishes took away their charm, I said
that making them a threat gave them a drive and a new outlook on the series. He said that
the Don Battle/Club Battle arc was a waste of time; I found it to be one of the most entertaining
tournament arcs I've seen in an anime. In that same instance, when he complained about Zorua
being shoved in everyone's face; I found Zorua's antics to be one of the things I enjoyed most
about that arc.


I bring this up because he praised this episode in his recap of it. I am going to be the iconoclast and deconstruct this episode's flaws; giving a detailed explanation as to why it doesn't work.


We open on a beautiful morning at the Pokémon Center, as Ash and his friends are on
their way to Fortree City. I haven't played Ruby and Sapphire in a while, but I can say
that Fortree City is one of my favorite locations in Hoenn for virtue of being built entirely on
treehouses. Having seen the episode it was featured in when I was 19 first, it reminds me of
the Wookiee homeworld of Kashyyyk in the Star Wars films.

They are all set to go, but Pikachu chimes in and they notice they forgot May. She is packing up her belongings, and Ash rushes back into the Pokémon Center and starts yelling
at her about it. Oh boy. Here we go.



Ash leads her out of the center, but May then stops to check herself in the mirror. You
know, in some cultures, vanity is considered a sin.
Ash again chews her out for her ladylike traits of admiring herself. May replies that
men almost never check their hair or clothes. Personally, I thought the costume design in
the Advanced Generation was reminiscent of the video game Jet Grind Radio, and I say that
as a guy whose fashion sense is just a step over hobo.  




As they exit the center and get on their merry way, May says words to the effect of
calling Ash a geezer. I can just imagine Ash replying, “Don't mock me! I'll be around for years!”

Once again, we get our theme song of “This Dream.” I stated that was a good theme
song, though my favorite theme of the Advanced Generation is “Unbeatable” in the following
season, “Advanced Battle.”

Next, we get our title card. Let this be an indication of what's to come in this episode,
why I have a deep hatred for it.



Ash and May are still fighting after we segue into the episode proper. Max and Brock
comment on how this fighting has been going on for some time. This is going to hurt, isn't it?
How do you even begin to deal with an episode like this?


The worst part of this is, they're played by the only
voice actress who will still have a career after this show.


Then, in come two characters that made sure I would have no chance of liking this
episode: Oscar and Andi. They are characters parodying the leads of The Rose of Versailles,
an 18th-century romantic drama.

These two keep insisting that Ash and May are in love. I'm simply going to call them
out right now: They're idiots. Do you want more proof? They say that Ash and May fighting
is the first sign of love. No, it's the first sign of domestic abuse.



Max and Brock point out there is something weird about them. Now that I agree with.
There must have been something in the water where they came from.

Oscar and Andi suggest a battle. That's good, I could really use some action right now.
Ash and May agree to it. I'm just going to come out and say that Oscar and Andi are way too
happy about this. Maybe it's because I haven't seen the show they're parodying, but every
Rose of Versailles joke makes me more lost. I have a tendency to reference obscure shows like
Jayce and the Wheeled Warriors, and I could use Saw Boss and some Monster Minds in this.
More on the way Oscar and Andi talk- their politeness contest just isn't working for me.



Brock, despite the fact that Andi is clearly in love with Oscar, hits on Andi. I definitely
needed his unsuccessful Romeo to make this stinker of an episode more tolerable. Max drags him away. I will talk a bit about Max. I used to really not like him, but after I branched out in
anime, I discovered there are far worse characters than him and loosened up about him.

Oscar and Andi declare it a tag battle, so Ash and May can put their love to the test.



Ash and May send out Corphish and Skitty. Oscar counters with Nidoking (Like a BOSS!) and Andi sends out Nidoqueen. Nidoqueen always looked like she was wearing a bikini
to me.




May ponders what move to use, which drives Ash nuts. I'm sympathizing with him
right now.



Oscar and Andi, however, are in perfect sync. While Ash and May's Pokémon attack each other, theirs lay devastating combos on them as they get stars in their eyes.

Ash breaks down on the situation.




Dinosaur King, Tai Chi Chasers, Little Bee, why was I in them all?



Oscar and Andi keep going on about their love. Take your love to a showing of Magic
Mike, and keep it away from my Pokémon.They finish them with a Submission combo that makes a heart. You know, JRR Tolkien once said that sometimes disbelief must not be suspended so much as hanged, drawn, and quartered. Here, I'm all for giving my disbelief death by lethal injection. These two are completely out of place in a series like this, and it just pads a generic “Battle of the sexes”
story.






Enter Team Rocket, with Jessie complaining that they haven't done anything typically
Team Rocket. Like overtake Silph Tower, sell Slowpoke tails as delicacies or attack Olivine
City.



Oscar and Andi then challenge Team Rocket to a battle. God, I thought we were done
with these “1776” castoffs.

They accept the battle, and also get Team Rocket fighting. These two are total Mary
Sues. I think the only reason these two existed is to make the pre-established characters look
bad in this “battle of the sexes” fanfic poorly disguised as an episode.

They beat Team Rocket, and this argumentative drivel is still going. I am now convinced
that Oscar and Andi are total Sues.

Among the few notable things in Team Rocket's arguments are that Jessie doesn't like
James' blue hair, though it is now lavender thanks to the switch to digital coloring. James






Another tag battle occurs, with guys VS. girls. Now this is a joke. It just devolves into
a bunch of random attacks rather quickly. The episode has given up. They have thrown up
their hands and said, “we have no idea.”

It devolves further into Meowth shaking his rump. Why did Dogasu like this episode?
While this could have been funny, Jessie and James get the idea to steal Pikachu. You got
all that from interpretive dance.





Pikachu is stolen, and they give chase, with Skitty's Assist having it use String Shot.
Apparently, Assist sometimes turns Skitty into Spider-Man.

Kiss her, you fool!


They're back. Corphish knocks Team Rocket down and Pikachu out of the net. They
shockproofed the net, but didn't give it a top. That's actually pretty funny.

Ash and May muse they could have battled like this against Oscar and Andi. Oscar and
Andi can go screw themselves.






“The Bicker the Better” had absolutely no point. You could cut it out and it would have
absolutely no impact on the story. There were at least Johto filler episodes that were entertaining, and I'm in the minority that liked Johto. What I'm really astounded by is that
Dogasu liked this episode, but gave several legitimately good episodes lower ratings. These include the Misty-centric two-parter in Advanced Challenge, “Pikachu's Goodbye,” “Maxed
Out,” “March of the Exeggcutor Squad”, and “Showdown in Dark City.”


I know for certain that now I can bash “A Double Dilemma” as a horrible episode, but
you still must wait for that. Next time, I will take on Magical DoReMi, with an episode that
cemented the show as the Blue's Clues of magical girl series.