Sunday, December 31, 2023

Thoughts on every FLCL Spinoff Anime.

The end of an era is upon us, everyone. Earlier this year, Jason DeMarco announced that Adult Swim and their overseas partners will not be pursuing further spinoffs of FLCL. I can honestly respect this decision as both the network and myself are huge fans. So, with this knowledge in mind; I present my thoughts on all the spinoff anime to FLCL.

First, I suggested that it would be difficult to top the accompaniments laid out by the original run. In a way, I'm glad that they didn't try to. I do like how each one is named for a different subgenre of rock music; and getting the Pillows back to the OST. Each spinoff actually serves as a prequel to the original; functionally ending where the first season begins. I will get into why over each heading.

FLCL Progressive (June 2018)


The first spinoff to see release; it centers around a young woman named Hibajiri Hidomi trying to navigate the labyrinthine nature of daily teenage life, a matter further complicated when her homeroom teacher turns out to be none other than Haruhara Haruko herself. An array of eccentric classmates and Haruko's counterpart Julia Jinyu don't make things any smoother. I personally enjoyed it; and it set a solid template for what came next.

FLCL Alternative (September 2018)




Later that same year, FLCL Alternative debuted; and more directly served as a prequel to the original. That will be the case for the remaining spinoffs, so I will keep it succinct for now.  This time, Haruko gets mixed up with Koumoto Kana; and her coming of age story was distinctly different from Naota's. Still, it worked for me in a different way; and it's one of the spinoffs that functionally ends where the original begins. Won't say exactly how, contemplating a deeper dive in the future.

FLCL Grunge (September 2023)


Even with the discourse around this one (I don't share Geoff's dislike of it, for starters); this was always going to be an interesting one to address. Uniquely, the new characters don't have any one protagonist; as each of the three parts focuses on a different character over the course of a single, very eventful rotation. Though I will acknowledge the CG shift as I am known to do; it did grow on me over time (something that didn't happen with Trigun Stampede). The idea of Haruko usurping the position of a Yakuza boss is just something that I find entertaining in itself; and some of the craziness does border on the works of RGG Studio (I am definitely getting Like a Dragon: Infinite Wealth when I get a PS5).

FLCL Shoegaze (September 2023)



As this three-part event functionally means the end of the franchise; I honestly think it's a good one to go out on. Two characters are the major focus of this one: Aofuji Masaki and Oraisho Harumi. Their link to both ATOMSK and Medical Mechanica takes them places distinct from other installments; and the journey they go on is a nice way of bringing the story full circle. I won't say why; but I am seriously contemplating a full look in the future.

Overall, while these spinoffs may not be on the same order of magnitude as the original; I still find them worthwhile; and no stranger than the manga, where Naota decided to take up "batting practice" on his father. No, I am not making that up.

That's all I have to say for now; and I wish you all a Happy New Year. See you all in 2024, and ride on, shooting stars.



Saturday, December 30, 2023

Pokémon: To Be A Master (EN) Review

Welcome to my full look at Pokémon: To Be A Master! I have been wanting to address this anime for ages, so let’s start with “The Road Most Traveled!”

One aspect present throughout this event series is the use of the I Choose You version of the Pokémon Theme; and how it shows highlights over the last quarter-century via archive footage and photographs. Fitting bookend, as is this anime itself.

We open on Ash and Pikachu, who have returned home after the events of Journeys. The two goof with each other; and I honestly enjoy how this episode remixes ideas from “I Choose You,” and that won’t be the last time that parallel comes up. However, I do admit the keep away with the hat is silly; as is a bunch of Magikarp nibbling on the champ’s hindquarters.

I do like little details such using a branch as a dowsing rod to see which path to take; and when Oak comes to visit; how Mimey’s expression as he’s sweeping gives off Detective Pikachu movie vibes.

Elsewhere,  the two swing around the forest; even mixing with a freshly-evolved Beedrill! Ash and Pikachu relax under the shade of a tree; and as they watch the clouds and Pokémon roll by; until a familiar Meowth drops in to visit!

As Meowth and Team Rocket try to make off with their prize; Ash sends out his Sceptile, Noivern and Donphan to reclaim Pikachu! They’re sent blasting off, and it won’t be the last time I address the rotation either. Also gives me plenty of ideas for fantasy rosters in the games.

We are then introduced to the catalyst for this miniseries- Latias! She ends up making a crash landing, and Ash makes a bond with her as he tends her wounds. Nearby, Jessie and James look on, and I still like the sass their Rotom Phone digital assistant has.

Likewise, I do find amusement in the anecdotes surrounding this miniseries; and I will address them more as I continue my look at it. The use of Latias in particular is interesting; and I like how it alludes to the fifth movie later on.

As they rest, it turns out that Buizel is also part of Ash’s rotation in this episode. Team Rocket tries to abscond with Ash and Latias; freezing them! Though they believe the rest of his Pokémon won’t attack when they have a captive; like a great many things; they’re wrong. 

The capsule shatters; and a freed Latias takes flight with Ash on her back! Noivern sends their balloon blasting off; and as Latias keeps watch, one last ride has begun.

“The Road Most Traveled” marks a great start to this miniseries; and a fun episode on its own merit. Though I admittedly don’t know the long-term future of the anime; I do know I will enjoy this event for a long time; including covering the whole lot. 

Next up: “A Fated Face-Off!” We open by the seaside, where Ash and Pikachu are exploring. He sends out his rotation, and the presence of Totodile is a tip-off about which episode this is homaging. We also see Corphish, Leavanny, and Rowlet in the roster today.

As they look at the sea, a mischievous Clauncher starts up a ruckus, and Ash gets another one who wants to catch it- His old friend Misty and her Psyduck!

He is caught by one of her special lures; which acts as a prelude to a fishing duel! This is one aspect that parallels “The Totodile Duel,” one of my favorites of that season. I also like this part of Rowlet perching on her head- cute birb.

Misty is by the ocean because she’s adventuring again, giving the reins of her gym to Daisy, Violet and Lily. She was even inspired by her old friend and new champ- How about that? The duel begins, and he has a Cilan lure! We’ll come back to him next time. Now, comes the waiting part of the duel. 

Nearby, a familiar looking submersible raises its periscope. I have no formal opinion on the soundalikes for James and Meowth; so let’s continue.

Misty hooks the Clauncher, and the Rocket Rotom Phone gives them a tip about the monster. Misty splashes into the water; and when Ash hooks Clauncher, he falls in after the beast literally digs in its heels. Misty’s expression is also a callback I missed initially.

Corphish also wants to have a go at Clauncher, which is the second aspect of this episode that parallels The Totodile Duel. However, Team Rocket tries to make off with their catch! They aren’t successful, as they haven’t eaten all day; something I haven’t mentioned. Corphish frees Clauncher; and before they’re sent blasting off, I really love the use of classic music from the original series. Same with the anime finally canonizing Misty’s title as the “Tomboyish Mermaid.”

Despite a valiant effort from Ash’s Corphish, Misty ultimately wins the battle and the Clauncher, thanks to Politoed! As for his title- I fully understand the joke; and that’s all I will see it as. A casual fishing match isn’t exactly the same as the World Coronation Series- it’d be like saying playing Smash Bros competitively is the same as messing around in a common room after about six Mountain Dew Code Reds.

We close on Ash and Misty reuniting officially, and deciding to travel together again. As for that claim of him “retiring” without fixing the damage done to her bike- False: He had it fixed up at the end of Johto.

“A Fated Faceoff” is fittingly fun as a fishing folly; if you’ll pardon the alliteration. Remixing elements from “The Totodile Duel,” it’s a nice; relaxing episode in this care package to longtime fans. 

Next is “Must Be Our Heroes and the Witch!” This time, we get two companions joining us; so let’s begin. We open on Ash and Misty looking for a place to eat, and finding a cafe where their old friend Brock is working! He has eyes for the waitress, but much to his dismay; she’s taken and engaged. 

This puts him in a blue funk for much of the episode, though Ash and Misty do encourage him to cheer up. They’re also joined by his friend Cilan, and feel free to insert a “Unova confirmed” joke as I have.

As for mention of that fishing tourney he did with Brock- you either saw that special or you didn’t. I’m just glad they got the VAs back, especially Jason Griffiths. Misty doesn’t take kindly to his “weak tea” comment though. Her Psyduck pops out for evaluation, and it’s a great scene honestly.

Anyway, Cilan notices Brock bringing on the heartbreak; and decides to bring him to a nearby flower field; with a familiar trio not far behind. However, an ominous Hatterene is watching from the forest; and casts its will on Brock! Ash scans the witch with Rotom Phone, and chases his friend into the trees! Cilan helps with his detective persona, much to Misty’s dismay. I am working on finishing Detective Pikachu Returns; and I hope the next movie and/or spinoff event are back on track after the strikes. 

He deduces the forest witch feeds on negative emotion, and they all must help their friend before it’s too late! This preying on feeling is game-accurate too. A Hatenna appears, and this basic form will be important too. Brock’s signature is picked up, and a Hattrem is in play as well! Their search makes them all hungry; and I like the allusion to the Galarian Darumaka box lunch (implying that M15 is still canon).

Hatterene starts messing with everyone, showing the others what they desire. I especially like Cilan being tempted by subway bosses Ingo and Emmet After everyone snaps out of their trance; Cilan suggests using Hatterene to help snap Brock out of his.

With the combined power of Pikachu and Hatenna, and an assist from Cilan’s Pansage, the curse is broken! Brock then treats its wounds and apologizes for the trouble he caused. Team Rocket also gets mixed up with the witch; but that’s another story.


We close on Cilan leaving, giving everyone “Best Wishes” (prefer that to the 2023 series), and Brock rejoins Ash and Misty! We’ll all fly away together, in that big beautiful sky…

“Must Be Our Heroes and the Witch” is flat-out magic in the span of 22 minutes, featuring the best of both the old and new of this anime. Also helps the Hatterene line is one that has a lot ways you can use them for stories; and regardless of my feelings toward the new anime; I hope the new kid enjoys the one they caught. 

Next up- hunkering in for the cold weather with “Bearing Down Easy!” We open on a snowy mountain peak, where they’re set to observe Magikarp climbing a waterfall to become Gyarados! Like that nod to the myth of a fish becoming a dragon by climbing one. Oshawott is part of the rotation this time, as are Snorlax, Talonflame, and Incineroar! Also, I just realized that Ash has multiple reps that are in Super Smash Bros.

However, the waterfall is frozen solid; leading to our subject for this episode- a Beartic that Ash helps to learn focus in its ice power. Misty also has her Starmie back from the gym, and Brock has his Forretress. Beartic isn’t used to having visitors; so before helping Beartic, they decide to observe from afar. Ash is able to get through to Beartic’s icy heart; and he didn’t even need a cool island song! Ash then proposes an exercise to help focus his power- making shells with ice! 



There’s a cave-in beneath their feet; and conveniently, Ash is injured in the fall! Beartic is moved by Ash’s encouragement; and is able to focus its power to make a ladder out of ice!

As Brock removes Ash’s shoe to check his ankle (don’t worry- he’ll be fine by the next episode); Beartic lets out a triumphant roar! I will also note that I really like the designs of Misty and Brock’s winter gear. It’s not exactly like their Pokémon Let’s Go designs, but it’s close. We close on the forest Pokémon being impressed by Beartic’s new skill, and seeing the Magikarp climb the waterfall!

“Bearing Down Easy” is like a warm serving of hot chocolate on a cold day- sometimes, you just want something relaxing and sweet. It’s also another step towards what it really means to be a master; before we’ll be writing a brand new chapter. 

Next up- “A Squad’s Worth of Passion!” We open on a harbor town, and I honestly like how they set up the supporting monsters here. Soon, they catch word of their old friends; the Squritle Squad in town!

They’re part of a new stage show; and I get to celebrate the milestones of two beloved series, as we get some flashbacks to Ash’s past partnership. He also has Bulbasaur and Charizard on hand! However, there’s something very familiar about their promoters; and shady. Still have nice looking shades and other swag though.



They try to say hi after the show; but “Team Ignition” won’t let them talk to their friends! That alone tells them something is up. As everyone else regroups at a nearby restaurant, Meowth has an even more sinister plan!

He tries to launch a net at Pikachu, Bulbasaur and Charizard, but a breeze causes them to get thrown by a Hariyama; and the net falling on a faulty wire causes a fire in the dockside warehouse; trapping several Pokémon! The Squirtle Squad then reconciles and springs into action!

Ash, Brock and Misty also help contain the fire and rescue the trapped Pokémon with their own monsters! Nothing like a literal trial by fire to help make nice.

We close on the Squirtle Squad returning to their post as firefighters, and Ash getting his own kudos as world champion. It’s about gold danged time.

“A Squad Worth of Passion” is well worth your time; being the ideal return of some of the most-loved characters in the series. This is easily the remix of “Here Comes the Squirtle Squad” I’ve been wanting to talk about for ages. 

Next up- “The Same Moon, Now and Forever!” This is easily one of the best episodes of this event series; and it remixes easily my favorite episode of the Indigo League. Let’s open it up.

We open on a field where Ash and Pikachu are resting; while Misty and Brock are setting up for a picnic. However, through a series of bizarre events; the Team Rocket mech explodes; separating Meowth and Pikachu from the others; and taking Ash’s hat with them!

Meowth and Pikachu, of course, form a reluctant alliance to reunite with their partners; and as their partners search for them; I quickly realized this is a remix of “Pikachu’s Goodbye,” and has remixed elements from other stories as well.

Case in point- when a Spearow is hurt and separated from its flock; and when a Rattata needs food; he helps tend its wounds and gives Rattata the cheese he had in his bag. This part is a reversal of I Choose You, and it won’t be the last. Let’s just say this isn’t the same kid who was throwing rocks or shooing them out of his bag years ago.

The way that the two of them are able to follow similar paths is quite heartwarming; especially as each group stops to rest for the night. As Ash has dinner with Brock and Misty; he looks at the moon and we get a reel of highlights from past adventures over the years. The use of instrumental music from the I Choose You movie is a nice touch. He vows to continue his search in the morning.

The morning comes; and as if by the will of their bond; and with a little assist from Latias; Ash and Pikachu are reunited! He places his hat on his head, Team Rocket gives Meowth a hoist in their balloon; and we close on Ash and Pikachu being fittingly described by the narrator as “the best of friends, now and forever.”


“The Same Moon, Now and Forever” is a wonderful successor to “Pikachu’s Goodbye” and an example of an everlasting friendship. I will address this more in the finale; but whatever happens next on their journey; they will face it together. 

Next up: “Ride. Lapras Ride!” This reunion with an old friend is yet another one no one expected would be done before the end; yet, I’m glad it was.

We open on some Wailmer by the sea; and everyone has come to observe them! Just then, Ash’s old Lapras is in the area! It turns out Lapras needs his help; so he climbs onboard to lend a hand!



They’re led to a cave by an inlet; where a Wailmer is stuck inside! That’s a simple enough idea- to get it out. How they will actually do so is much trickier. Latias looks overhead, and Team Rocket watches from their Magikarp sub down below.

Ash’s roster includes his Kingler and his champion Sirfetch’d to help get Wailmer out of the hole they’re stuck in. Heracross also lifts Ash out of the cave, and not only is his height accurate to the Pokédex; he and Ash are about the same height. How about that? He also has Bayleef in his roster. He and Misty fish Warlord out of the hole; but the joy overcomes the calf till it becomes a Wailord and gets stuck again. Oops.

After a brief Brock face from everyone, now they have to get the big balloon again. Pikachu pounces on the Magikarp sub; and ropes their old “frenemies” into helping extract Wailord. Ash also has Torterra, which now knows Frenzy Plant! Certainly would have come in handy in Sinnoh; and I will give myself a reminder to reinstall and 100% BDSP.

After much heaving, and an assist from Lapras’ Ice Beam and the other Wailord; they’re all free! We close on everyone going their merry way; and when they ask if they couldn’t have just caught Wailord to get out- good question. I’d ask the same thing about a Lapras joining the Brave Olivine crew just because the plot demands it.

“Ride, Lapras Ride” is an ideal seaside cruise; a blend of relaxation and levity, like a leisurely swim on a tropical vacation. I am very glad to share this and the remaining episodes of this anime with you all. 

Next up- “Getting to the Heart of it All!” This is going to be another episode I’ve been eager to address a while. We open on our heroes passing through a new town, with Misty loving the heart-shaped decoration in her hair. However, all is not well, as a rash of burglaries have taken place; with a Banette as the culprit. 




Ash sends out his champion Gengar to lend a hand! As Banette flees from the house; the ghost pulls out an old photograph. I also like how the shadow homages the mystery ghost before you get the Silph Scope. Insert “Game Freak does not forget” joke here.

As Ash looks up the information about Banette being an abandoned plush doll on his Pokédex; they all decide to have dinner at the Pokémon Center before determining their next move. Brock hits on Nurse Joy, resulting in a Poison Jab to the ribs from Croagunk.

Banette continues rifling through houses; as the photo it was hold blows into Brock’s hands! As he notices something about the girl in the picture; Misty is chased for her hair tie! The chase leads them to an old house outside town.

Brock also sees the heart-shaped decoration on the plush in the photo; as Banette recalls the girl who it once knew, though her face escapes the ghost’s memory. The plush was left behind when the girl moved out of the old house. Wouldn’t say it’s on the same level as that comic of one and a Phantump, but it’s a close second.

Everyone reaches the old house to return the photograph; along with bequeathing the hair tie to Banette. Even more, Ash offers to help find the girl in the picture; who’s now all grown up.

After searching all over, it turns out that the girl in the photo who had the plush was Nurse Joy all along! Also, young Joy in this ep kind of looks like Anya from Spy X Family. Not into that one, but I understand the appeal at least. We close on Joy reuniting with Banette, and the two working together at the Pokémon Center from that day forward.

“Getting to the Heart of it All” is a wholesome outing that makes a heartwarming experience out of the monsters and material provided; just the thing to help start closing out this anime. 

Next up: “Rocket Revengers.” We open on Ash, Brock and Misty enjoying the weather; while looking at a familiar Delibird. It’s the one from Team Rocket; and gives them bento boxes and most of their previous Pokémon for one last score. Jessie reunites with her Seviper, Gourgeist, Frillish and Yanmega! James is reunited with his Mime Jr, Amoongus, Woobat, Yamask, Carnivine, Inkay and Morpeko! They declare themselvss the “Rocket Revengers!”



They’re then given a message by a gold statue of Giovanni; and given the OK for their last big score! It’s not the end I envisioned for them, but it’s close. They even recall their Arbok, Weezing, Victreebel, Lickitung Cacnea and Dustox.

As Mime Jr feigns weakness in front of Ash, Team Rocket makes their move! However, this is not the same person who beat them with a fried bicycle and spamming String Shot before. That aside, the game is officially on!

Ash and Pikachu don’t fall for Mime Jr’s bait; and now it’s an all-out brawl! Ash, Misty and Brock use all they have learned on their travels to fend off their attackers! Ash has his Infernape in his roster, and his Hawlucha! Nice combo; and if he ever makes a return; love to see what others might come.

Ash even saves a Slakoth during the battle! Latias even sends Team Rocket blasting off one last time; and commences “sight sharing” with Ash.

As Ash must help Latias’ brother Latios, Team Rocket officially goes their separate ways; ending a partnership that has lasted nearly a quarter-century.

“Rocket Revengers” is effectively the end of the Team Rocket trio as we knew them. Barring which continuity the new anime takes place in; the main team is functionally disbanded. Even with speculation about the new series ongoing and rampant; we’re not likely to see them again. Honestly, that’s for the best personally. 

Next up: “Ash and Latios!” Ash must free Latios and defeat his captor- a Pokémon Hunter who I shall call K. Latias reveals she was keeping Ash safe all this time; and Ash, having learned the sickening truth; decides to confront the Hunter.

One by one, the individual members of Team Rocket return to HQ; and I have something prepared. As Latios heals in a cave, Latias and the others vow to confront the Hunter K as soon as daylight breaks. Sure enough, the time has come! They reach the cave, and the battle with Hunter K has begun!

While Latios is hesitant to accept help, he does become more open after the Hunter attacks! His Hydreigon is not to be dealt with lightly at all. Ash then leaps onto the Hunter directly (still wonder if he has Hisuian ancestry); giving Latios an opening to free Latias and damage his gauntlet!

As Latios is healed, Ash sends out his Swellow to follow K! The two form a reluctant alliance to catch the Hunter. Brock and Misty follow on Steelix, and this chase through the bluffs is quite entertaining. With one direct Aura Sphere and Pikachu’s Iron Tail, the gauntlet is broken and the trapped monsters are freed!

Now, it’s time for a multi battle against K’s Hydreigon! With one last Aura Sphere, the Hunter and his mount are taken down and he’s arrested! Though Latios remains stoic as before, Latias silently thanks Ash for his help. We close on Latios and Latias returning home to Alto Mare, implying that this is the same Latias from the fifth movie and this Latios is reincarnated from before.

“Ash and Latios” is an adventure that’s worthy of being the penultimate episode of this miniseries and this run of the anime as a whole. Just the thing to warm my heart this winter.

My look at To Be a Master, and this run of the anime concludes with “The Rainbow and the Pokémon Master!” All things considered, I still stand by this as an ideal way to end a functionally endless series. Let’s open it up and talk about it. The crossroads to Pallet Town once again see a mutual parting of ways for Misty, Brock and Ash; as the latter runs all the way home again. 

Greeted by Delia and Mimey, he and Pikachu share a bath; dinner and a long-earned rest. Honestly going to miss them, so here’s an easy joke of them doing a Pokémon Sleep any % playthrough.

He’s woken up the next morning, and told to get dressed before he sees Professor Oak! This is one of many aspects that bookends the first-ever episode; and it won’t be the last.

Likewise, the symbolism surrounding the new running shoes. On top of having the same sigil as his original hat; it’s a bit I’ve always liked about thematic costuming. I was even inspired to make my own on Nike ID!

He’s greeted by Tracey; and even he gets a few final words in! Still think his character was over-hated; and I might even do character analyses of all the mains now that it’s over (at least for now).

So, Ash has come to see the new starters before they’re chosen; but one is missing- a Charmander! Helped by his Pokémon as sentries, he finds them in a nearby crevasse! Ash helps Charmander, and he himself is helped out by Gary. He congratulates him on his tile; and asks him what the next step in his journey is. I will also note that he is now the only character to have kept his dub voice throughout the entire show; as this marks the last time James Carter Cathcart voices the character before retiring.

Back at the lab, the professor gives them their checkup and a clean bill of health; as Gary heads off on his next research mission. Ash then ponders his next move before joining Pikachu for dinner. 

What follows are the salad days- a long-awaited and much-deserved rest after the long strange trip it’s been. Tracey even returns from his research, with his Venonat now a Venomoth!

Team Rocket then decides to give things one last try after a chance meeting in the HQ mess hall. Given how the new series has used characters from before quite sparingly; I still stand by the fact that after their last defeat here; the trio is functionally disbanded.

Ash even reunites with Pidgeot after all these years! As for any translation discourse; I do recall in Pallet Party Panic that they agreed to reunite once his task of protecting the wilds was done. So, what they told each other was true; from a certain point of view.




Taking shelter from the rain, Ash and Pikachu ruminate on their long strange trip. As the rain parts to reveal a rainbow; Ash realizes that becoming champion and “catching ‘em all” are only two pieces to the puzzle of being a master. He wants to have Pikachu by his side when he finds the way; whether it’s in Kanto; Paldea or beyond. At the same time, I believe he has; especially when he mentions his experiences in this anime. Whether it’s helping a Latios who’s in trouble, tending the wounds of an injured Spearow or giving food to a hungry Rattata. This is not the same kid who hurled his clock at the wall all those years ago- He made it. Congratulations, old friend.








We close with Ash donning the new running shoes alongside Pikachu; and tossing a stick in the air as a dowsing rod; with his mother remarking; “and the journey continues.” The final moments honestly make sense to me: He was always more interested in the journey than its destination; and it’s time to wrap this up.




This episode, and by proxy this miniseries; are the ideal way to close the book on this chapter of the anime; and make an ideal template to revisit it should the opportunity arise. However it does, I will cherish this for a long time. I’m not sad that this phase of the story is over, but glad I got a chance to experience it; and share my thoughts with you all.

As for the new series- I have decided that I will hold off on officially reviewing it until after it debuts in the US in February 2024; and pivot to covering the video games and legacy adaptations for now. Though I may have mixed feelings towards the new adaptation; my fandom as a whole has not wavered. Thank you, treasured friends.

Thursday, December 28, 2023

Pokémon Concierge (2023) First Viewing Thoughts.

Hey everyone- this started as another first impressions piece; but it’s yet another time I ended up binging the whole show instead. So, here are my first viewing thoughts on the stop-motion animated Pokémon Concierge; now available on Netflix.

Courtesy: The Pokémon Company/Netflix/Dwarf Studio


I have been looking forward to this show ever since I first found out about it; and I am pleased to say it’s one of the best pieces of animation I’ve seen from the franchise this year. Centered around a young woman named Haru, we follow her taking a new job at the Pokémon Resort. As she tries to find out what she truly wants from life, she seeks to find the answer with a Psyduck and an assortment of eccentric but kindly staff and guests. Humans and Pokémon alike can explore their bonds on the island.

Major advantages I’ve argued the franchise has over other “monster tamers” is how well it conveys visual storytelling and how it emphasizes the bonds between monster and partner. Though the adaptations are admittedly in uncharted waters now that To Be A Master is done (Blog note: still working on finishing full look); the video games have a lot of material to pull from. With that in mind, we’ve reached a point where the concept of day to day life in the Pokémon world can be explored in a nuanced way. The pitch can be best described as “everyday life with Pokémon,” which is quickly becoming a key facet of this era of the franchise.

There are no big blowups, convoluted storylines or mystery box McGuffins- there aren’t even any villains that try too hard. Haru simply wants a less stressful line of work and to find her place in the world. Given the time in which this show is streaming; I can say that’s something I identify with and consider a far better understanding of the franchise from an adult perspective than Horizons. Sometimes, all you need for a conflict is to gather ingredients for pie filling or to help a quiet Pikachu find their voice.

Of course, the stop motion from Dwarf Studio is the main attraction; with the human characters having inviting designs (standouts I like include the resort super Watanabe and Tyler; a chef and yoga instructor who has the appearance and persona of a laid-back surfer). Individual Pokémon have great attention to detail, be it the gleam of a Metagross or the plumage of a Pidgeot. The Psyduck that Haru bonds with over the course of the show is accurate to the games in its own way.

While I still don’t know the future of the anime as a whole, this is an easy-to-digest four episodes; complete with Japanese audio and subtitles. I look forward to other collaborations The Pokémon Company and Netflix are working on (their live-action event is something I have more confidence in after the recent One Piece and YuYu Hakusho event series). 

I strongly recommend this as a longtime fan and on its own merit. Even with all the hubbub around Horizons, Pokémon Concierge is a show that does more with less. See you all again real soon.

Saturday, December 23, 2023

Honest Thoughts- Why Dragon Quest Monsters: The Dark Prince won't replace Pokémon

 “While Dragon Quest Monsters: The Dark Prince offers a serviceable and sometimes fun narrative and gameplay, the overall experience is unfortunately bogged down by its performance issues and the lack of simple yet essential features.” -Abdul Saad, But Why Tho?, 6/10

“[Dragon Quest Monsters: The Dark Prince] is a well-designed game on paper, terribly executed.”- Javier Escribano, Hobby Consolas (Spanish), 6/10

“If you’re at all a fan of Dragon Quest or monster-catching RPGs, we’d suggest you pick this one up, though perhaps wait a few months to see if Square can sort out the worst of its performance issues.” -Mitch Vogel, Nintendo Life, 7/10

“By rigidly following Dragon Quest traditions, we end up with flat, cartoonish characters who inhabit a repetitive, cyclical world.” -Paulo Kawanishi, Game Informer, 7/10

“… I have no interest in the story, and other than the distant promise of some fun monsters to mix and match into a lethal party, the demo failed to entice me to grab the game – let alone continue playing the demo.” -The Escapist, “Dragon Quest Monsters: The Dark Prince Probably Isn’t The Pokémon Alternative We Need.”

Unlike some people I know shooting the breeze online; I actually did see this coming. Any other time in any other year for video games; I simply couldn’t fathom this spinoff being the one to reignite its brand. In a banner year and holiday season for them; it never stood a chance. Much like Miguel O’Hara (I now officially reserve the right to say “told you so”), I had no real interest in playing the full game after the demo (at least at launch). So, let’s get this started. Here is why Dragon Quest Monsters: The Dark Prince won’t replace Pokémon.

First, let’s look at the landscape. Though I could easily lead with the sway Pokémon holds over monster-taming RPGs; I’d like to expand the scope even further. The Treasures spinoff last year had to contend with not only Generation IX, but Sonic Frontiers and God of War Ragnarok. This time, the competition is even stiffer apart from The Hidden Treasure of Area Zero and Detective Pikachu Returns. Spider-Man 2, MGS Master Collection, Super Mario Wonder, Sonic Superstars; the Super Mario RPG remake; Avatar Frontiers of Pandora and even the Switch port of Hogwarts Legacy, contentious as the discourse around that game is. Bringing up Tears of the Kingdom and Baldur’s Gate 3 is just overkill. Still, it’s a good segue to the next point.

Second, let’s address the different sales performances across the Pacific. While the title is selling well in Japan (so much so that Square-Enix is telling people to buy the digital version while they wait for more physical stock), the story in North America is different. I once again checked my closest stores that sell new games; and none of them are stocking the title. I also checked the eShop; and it’s yet to have made the top 10 as I type this. When you’re being outsold by Just Dance 2024 and the Bluey game; it’s time to call it a day. (I do like Bluey for the record.)

The third point worth noting is connected to the first two, is the difference in popularity gap between regions. Releases for the series are something of unofficial holidays in Japan; and there is some truth to the urban legends about people taking the day off from school or work to play them. While the debate is ongoing about the exact reasons why; the series has never been able to reach mainstream status in the West the way Final Fantasy or Kingdom Hearts have. Not even featuring the Hero in Smash Bros. Ultimate could move the needle like it did with Fire Emblem.

However, beyond all this; is the state of both series. Even with the infamy of Generation IX’s launch; Scarlet and Violet have been huge hits, and I’m enjoying the expansion so far. The discourse around the Pokédex didn’t stop Sword and Shield from doing gangbusters (ranking alongside Breath of the Wild and Super Mario Odyssey among Switch bestsellers). The Dark Prince was already coming off the divisive reception and mediocre sales of the Joker entries (with those being key reasons why multiple games bearing that imprint never got official English releases), so it was always going to be rolling a boulder up a mountain. Personally, I’m even less a fan of this spinoff series than the main DQ games; so I never had much incentive to seek out The Dark Prince. Perhaps I might check it out on sale if Square-Enix fixes the issues of the launch build; but not when there are worse frame rates than games I played on Dreamcast (looking forward to Sega reviving more of their legacy IP).

I know Festivus is about airing grievances among many things; but that’s just one of many things I’ve been doing my best to get across over the years: that other monster tamers should be sold as alternatives to the biggest ever; not replacements (deliberately keeping my expectations low for Palworld and whatever Level-5 is planning with “Ghost Craft”). Honestly don’t think Dragon Quest Monsters: The Dark Prince is the worst game to come out of 2023 (this is a year that saw both Gollum and Skull Island: Rise of Kong release after all); but I also don’t think it will be a replacement for Pokémon either. On that subject; I just about have my full review of To Be A Master worked out, and I still have a goal of posting it before the year is done. Other writings will spill into 2024 if necessary (having connection problems lately). That’s all for now, season’s greetings. 



Thursday, December 21, 2023

Pokémon Scarlet and Violet- The Indigo Disk (Switch) First Impressions

Happy Winter Solstice, everyone: I know I wanted to post this sooner; but factors outside my control (some of which will be addressed here) kept it from happening sooner. That out of the way, here are my first impressions on Pokémon Scarlet and Violet- The Indigo Disk.

I have been playing this expansion for nearly a week; and so far, the biggest roadblock I faced was having to reinstall the DLC and rebooting my new Switch OLED. The reason was because Cyrano kept looping even though I cleared the conditions to access this chapter. Otherwise, only encountered some minor cosmetic visual artifacts; nothing game-breaking. A word of advice- you will need to have cleared the main story and the Teal Mask DLC chapter before you can start this one. So, that out of the way, let’s begin.

After meeting with Cyrano, you are given the chance to partake in a student exchange at the Blueberry Academy in the Unova region. The centerpiece is a massive preserve known as the Terrarium, split into four distinct biomes: coastal, canyon, savannah, and polar. Each has their own variety of Pokémon to catch inside. With the amount of monsters from Generation V, this has further generated talk of a full remake.

In addition to the return of characters that previously appeared; the academy has their own Elite Four to battle: Crispin, Lacey, Drayton and Amarys. Even the trainers you fight in the Terrarium have rosters and move sets that often show up in competitive play.  

There’s also a variety of side activities to build up points; which can be used to purchase items and upgrade the facilities at the academy. On top of nearly 200 monsters returning from previous games; new Paradox Pokémon enter the game for you capture and train. I am eager to not just catch classic starters, but new monsters such as Iron Crown and Raging Bolt. Overall, my first impressions are quite positive. This chapter not only builds on what’s come before; but also justifies what’s come before.

One last thing to address before I resume work on other projects (such as my full look at To Be A Master)- it seems an epilogue will be releasing in the game on January 11 of next year; and my full review will follow after I have cleared it. That will be all for now, and I wish you all good tidings. Take care.

Sunday, December 17, 2023

My Complicated Relationship With Digimon Adventure 02.

(Sighs) I knew it would only be a matter of time. I have long had issues with this anime, and I think the release of the finale movie (after being delayed for a year) is the right time. Many people are coming to reevaluate the second season of Digimon Adventure in recent times. Here is why I am not among them. Let's explore my complicated relationship with Digimon Adventure 02.

Courtesy: Toei/Bandai/Akiyoshi Hongo

I won't be structuring this the same way as other things I've written; because this subject has a myriad of issues to address. So, I think the best way to approach this is to go arc by arc. Let's start with the premise- this could have easily been a direct sequel that immediately followed the end of the first. Instead, the "02" in the title represents it taking place in the year 2002. Ironically, when the actual 2002 rolled around; it was more dated than a K-Pro in a town where everyone else had Windows XP.

Now, let's get started with the first arc, charitably speaking: with most of the original cast having gotten older; save for TK and Kari, a new cast is brought into the fold... which is my first issue. I'm not against adding new characters when it makes sense; but this is one of many issues that metastasized to future incarnations that started here. While the idea isn't the worst, it's the execution that bothered me at the time and still does.

Case in point- how this season introduces our new heroes and the first villain.  On paper, a new threat emerging to fill the vacuum left by Myotismon should be all right; as with a new generation of heroes. From the perspective of an 8-year-old and watching this again to write this (and yes, I did factor in the subs as well); though, lots of elements never sat right in execution. We'll get into this more later, but the Digimon Emperor never fit that bill to me.

On the side of the heroes, the idea of new leads was never the problem I had- it was the execution. Both from the perspective of a younger viewer watching at the time and since, I never really had the same attachment to these characters as I did those before or after. Especially Daisuke "Davis" Motomiya- at the time, his constant lusting over Kari and immediately jumping into the position of new lead didn't really sit well with me; and still doesn't. One of the easiest fixes for this issue I and others have proposed is to have TK and Kari lead the new team instead. That way, you can still have both the new characters and legacy ones in solid balance.

Now, let's address the storytelling. Though there are a lot of interesting concepts (the head writer of my favorite season, Tamers; Chiaki Konaka started his run with the series here), none of them really lasted long enough to stick or be properly utilized. It's not just the darker material (such as death in the family or what's functionally child trafficking in the episodes with Oikawa near the end); I never really had a clear idea of what attitude to adopt even when I was younger. This was not an issue I had with other shows on Fox Kids at the time, including Beast Machines and Power Rangers (which it shared a block with on affiliates near where I lived in those days).

As for the "World Tour" arc- some people might like it; but I consider it synonymous with arc fatigue. Even how other countries celebrate the season feels underutilized. I know this anime came out well before Rise of the Guardians, but this storyline comes off like a Rise of the Guardians wannabe in hindsight.

That's not to say none of it works. Far from it- the Black WarGreymon storyline is one of the most effective aspects of the season and one of the few new aspects that genuinely left an impact on me. Same with Oikawa's death at the end of the storyline I mentioned before. The animation is also quite solid; even with the Armor sequences having CGI that looks considerably dated nowadays.

Still, there are lot of ideas that just feel uneven and don't come together as a unified whole. One storyline features Ken still struggling with his brother's death; another features Russian singers that come off like you ordered the Nutcracker Suite from TEMU. When the viewer has no clear idea of what attitude to adopt, the story just doesn't work. 

So no, I am not among those that considers this better than 01; not with Tamers, Data Squad/Savers and now Ghost Game in mind. It's at least better than Frontier; but that's not saying much. I do not consider this the T2 of the franchise; I would argue it's more like its Terminator Salvation- where it feels like a rehash of ideas we've done before; and the new ones we see break willing suspension of disbelief.

That is something that becomes readily clear with the now-infamous epilogue. I understand why people who paired Tai and Sora in particular weren't happy; but that's only the tip of the iceberg of story problems here. Even when head writer Hiroyuki Kadadou attempted to explain details about this ending, it just made things more confusing; once again invoking the Hermes Conrad meme.


I might be able to buy some of the trajectories, such as Davis making noodles and Sora arranging flowers; but the lion's share make no sense me. Even worse, is not only how TK detailed all these in a tell-all book (honestly found Jennette McCurdy's memoir more interesting); but how he took his children to the digital world; as did everyone. It didn't make sense to me as aa kid; and it still doesn't make sense to me now.

With all this in mind, I can submit that this anime functionally died on the following dates of its respective Japanese and US airings- March 25, 2001 and May 19, 2001. Were it not for Tamers later that same year, my interest in the entire franchise might have gone down with it.

I know this is not the piece I envisioned writing; but I am once again glad to have it done so I can move onto something else. That's more or less how complicated my relationship is with Digimon Adventure 02. It's a series that has some interesting concepts and potential for its stories; but that potential was never fully realized. Its approach as a sequel felt more to me like Digimon Adventure 1.5, and it still does. I don't hate it; but it remains one of the most uneven viewing experiences I've had in any language (not even the subs changed my perspective).

As for the movie out this year, that's another story. I have made quite clear that I was not a fan of Last Evolution Kizuna, and I am going into the sequel with significantly lower expectations. I will have to watch the movie to be entirely sure, but I don't have high hopes. That will be all for now, take care.

Thursday, December 7, 2023

Pokémon Scarlet and Violet: The Indigo Disk (Switch) Final Trailer Thoughts and More.

Hey everyone- I know what just got uploaded earlier today and other subjects that have come up this month; so let’s get to it.

Let’s start with today’s reveal- the final trailer for The Indigo Disk chapter of Pokémon Scarlet and Violet: The Hidden Treasure of Area Zero. We have a full array of characters and features shown off; with both new and returning Pokémon and trainers alike. I am especially eager to see how this expansion builds on what has been established in the main game and The Teal Mask. The Blueberry Academy is a setting I’m eager to explore, and I will be training over this week to take on their own Elite Four. Their names are Lacey, Crispin, Drayton and Amarys. I haven’t had as much issue with the progression and difficulty scaling as others; but early previews have been pleasantly surprised by the challenge offered.

The trailer also came with information on three Mystery Gifts. They are as follows and shown- a Darkrai that can be claimed until 12/21 with the code NEWM00N1SC0M1NG, a shiny Lucario that can be claimed with the code SH1NYBUDDY and a Master Ball gift that goes live on launch day; both of which can be claimed until January 3 of next year.

I have also been occupied with my full look at To Be a Master (completed the first two episodes and working on the third as you see this); but I might as well address this. After its initial reveal late last year, Pokémon Horizons will finally see release in the US via Netflix on February 23, 2024. As someone who has had mixed feelings towards the new series since it began (though I do admit the second storyline, “The Shine of Terapagos” is better than the first one so far); I can now officially say I have no formal plans to review the anime before the official release. If I had to say, I would likely do so after or around the one-year mark of Horizons on April 14 next year. I’m thoroughly occupied as it is this month; and covering what I already have queued instead first. 

That will be all for now, and I will continue with my work on other projects. See you next week with my first impressions after this chapter goes live. Take care.

Thursday, November 30, 2023

New Yo-Kai Watch Project Teased for 2024+ Level-5 Game Delays.

As they say, the more things change; the more they stay the same. Yesterday, a Level-5 Vision presentation which had a number of announcements streamed online. While one is going to have more announced come this April; the rest have all been delayed out of this year. Let’s get to them all.

Let’s address what’s arguably the most notable one first- the next Yo-Kai Watch game. While it’s still not clear whether or not this game is a spinoff or a fifth main title, a new yokai variant is shown off with more news coming at the next presentation in 2024… which should make a good transition to the next point of this post.

While I was open to the company returning to Western markets; it hasn’t exactly gone as planned. As I type this, every single title they announced has been delayed to 2024 and beyond. Let’s rundown the list, going by new release date to keep things as objective as I can. I also cannot say if any of these delays correspond to new console hardware; so let’s begin.

Starting with the newest IP, let’s talk about DECA Police. After a brief period of confusion, this detective game will now see release in 2024. As this game has a lot of potential; I am actually glad they’re taking more time with it; which is my feelings toward all but one game discussed here.

Next, we have a delay that was already confirmed before the presentation: Fantasy Life- The Girl Who Steals Time. Originally slated for this holiday season, the game is now slated for mid-2024. Given the banner season this year has had; I don’t blame them.

In a more clear release date, Megaton Musashi (under the Wired subtitle) will finally see release outside Japan on April 25 of next year. I have been keeping an eye on this one, as I think there’s a market for it after the success and acclaim of Armored Core VI.

Next, Professor Layton and the New World of Steam has been pushed to 2025; which suggests that they need the extra year (and that it happens to mark the 20th anniversary of the franchise even).

Lastly, is the game I’m most concerned about: Inazuma Eleven- Victory Road. This game was first announced in 2016 for release in 2018; meaning that its new 2024 release date will mean eight years of development hell. Let’s hope the lengthy development is the only thing it ends up sharing with Duke Nukem Forever. Honestly not a huge fan of the franchise (or sports anime as a whole), but at this point; I half expect a placeholder date of “when it’s done.” That will be all for now, and I will see you in December. Take care.

Wednesday, November 29, 2023

Peter Spellos dies at age 69.

It is with great sadness I report the death of voice actor Peter Spellos, who succumbed to pancreatic cancer earlier this month at age 69. He had been in hospice for some time prior; but this nonetheless comes as a somber note. The news was announced online by his friend Fred Olen.

Spellos had a variety of anime roles in his life; including fan favorites such as Whamon on Digimon Adventure, Gilliam on Outlaw Star and Sky Byte on the 2001 version of Transformers: Robots in Disguise.

As his family plans a memorial for him, I wish the best for his colleagues and loved ones at this difficult time. May he rest in peace.

Monday, November 27, 2023

Scott Pilgrim Takes Off (2023) First Viewing Thoughts- A Netflix Anime That Gets It Together.

Hey everyone- I know it’s been a bit since I last posted anything big; but Thanksgiving hit me harder than expected. Rest assured, even if I have to bump stuff further; I will post stuff I have queued up when it’s done. In the meantime, I might as well talk about an anime that I have seen and been fascinated by this month. Here are my first viewing thoughts on Scott Pilgrim Takes Off.

Courtesy: Netflix/Science Saru



As a longtime fan of the graphic novels and their previous adaptations (chiefly the 2010 film by Edgar Wright and the video game from the same year); I can say that this is an excellent adaptation of the material that also serves as a sort of remix. Not only did the cast and creatives behind the previous material return; but given how much influence anime and manga had in said material; this was a natural move. Science Saru captured the energy of the source perfectly; and although those in charge have denied rumors of a second season, I am open to the idea.

I did find amusement in many of the jokes and smaller pragmatic changes. Notably, rather than delivering for Amazon.ca like in the comic and movie; Ramona delivers DVD rentals for Netflix (amusing as the two are rivals, and a bit wistful as they shipped out their last DVDs earlier this year). The little odd quirks of this anime and the source never feel that way after all this time. Rather, they’re intrinsic to the plot.

If you aren’t familiar with Scott Pilgrim, now is a good time to start. If you are like I am, then this will be a wild ride. Just thought I would get you all something to let you all know I’m not just watching One Piece and playing the new Super Mario RPG (which is also true). That’s all for now, take care.

Friday, November 10, 2023

#PokémonScarletViolet #TheIndigoDisk Coming December 14 and More.

I would have liked to post this sooner, but there have been intermittent connection problems on my end. Rest assured, here is a small update in between bigger projects I’m working on.

Let’s start with the most notable piece of information I’m addressing. After much speculation, the second chapter of the Hidden Treasure of Area Zero expansion to Pokémon Scarlet and Violet will go live on December 14: The Indigo Disk. The DLC will focus on Terapagos and the neighboring Blueberry Academy in Unova. I intend to complete the Teal Mask chapter before it goes live. A full review will follow once both chapters are cleared.

I have also picked up Detective Pikachu Returns, which I have been playing and enjoying since its release on October 6 of this year. The game builds on what was established in the first title on 3DS and the hit 2019 film adaptation. On top of focusing more on humor and puzzle-solving than the battles of the main series; there’s also new gameplay features such as stealth sections and getting help from other Pokémon to solve cases. Need to track a scent? Have Growlithe sniff it out. Need to see through a wall? Have Luxray use its sonar.

Lastly, let’s address things on the anime front. Though a US airdate remains elusive for Pokémon Horizons (understandable, given the circumstances); the series will begin its run in the UK via the CBBC feed of the BBC iPlayer on December 1. I still have no formal plans to address the anime before an official release stateside.

I will say that I have enjoyed two relatively recent pieces of web animation. These include a CGI short based on Detective Pikachu: “Mystery of the Missing Flan,” which is from Polygon Pictures (“Sonic Prime,” “Transformers Prime,” “Star Wars: The Clone Wars”) and the second part of the OVA “Paldean Winds.” Entitled “Breathe In,” the short focuses on Aliquis facing a crisis of confidence in his battles with Nemona; and whether or not he should keep his Meowscarada as a partner. I honestly consider it to be more interesting than Horizons; and I am looking forward to the third and final segment later this year. That will be all for now, and I will see you all again soon, take care.

Tuesday, October 31, 2023

How The Promised Neverland Season 2 Went Wrong (And How It Could Be Fixed).

All right: let's get to it. You may recall that I had an interest in The Promised Neverland, and was looking forward to its second season among many others. Then the season actually aired, and with it came less of a sophomore slump and more careening down an abandoned quarry. There are few promising anime that cratered this fast; with most reception pointing out how the second season created a litany of its own issues while also exacerbating ones from the manga. As someone who has read said manga in preparation for this; I think it's finally time for me to do a deep dive into this; and maybe see how it can be fixed. That is going to be your only spoiler warning to click away. This is how The Promised Neverland Season 2 went wrong.

Episode 1

The season opens roughly where the first left off; with the escaped children running from a beast in the forest and Emma forging the path. While not a bad idea in theory, we're admittedly already not off to a good start. This is only further compounded by Emma's exchanges with Ray during a quieter scene; in which they decide to find someone named "William Minerva." We will come back to this later; as it relates to another issue faced by this season: the changes from the source material. 

Episode 2

Case in point- this episode jumps ahead not just a handful of chapters, but volumes as well. I can understand if a scene sometimes has to be cut for pacing; but this leaves out numerous characters and story arcs; a problem that's only going to get worse from here. I know the big one people will be asking about; and we will cross that bridge when we come to it.

Episode 3

Three episodes in, and it's already becoming quite clear that this approach to the material was a mistake. The presence of the demons Sonju and Mujika alone in this episode and the last is going to be part of my final reasons on why this second season got it so wrong. Let's keep this journey going.

Episode 4

Emma and the others make contact with Minerva, and the pacing continues its accelerated rate. I am not against making changes in adaptation; but they really need to be changes that make sense. In a way, it's like attempting to condense an entire volume of A Song of Ice and Fire into a half-hour; and it only gets worse from here.

Episode 5

Here is where the idea of adhering so closely to the structure of the first season truly becomes a mistake; even before the more egregious cuts are revealed. While the manga had enough breathing room to build the atmosphere; this borders on the 2017 Death Note in terms of cramming too much material into a single space. That's not a comparison you want made, count on that. (Side note: Certainly hope the Duffer brothers do a better job with the next attempt, big fan of Stranger Things.) Bottom line- the only real events of consequence are trying to stay out of sight from the demons and eluding capture with help from. unlikely allies.

Episode 6

Here is where it all goes officially pear-shaped: while the creator of the manga reportedly wanted a different ending for the anime; the result was viewed as an overcorrection even among those who had issues with the manga's conclusion. Norman's escape in particular raises a lot more issues; as does the fact that Minerva is dead. The focus on the Grace Field group at the expense of the Goldy Pond arc and the removal of Yugo are particular sticking points. I'm not even saying an anime of this sort can't do a satisfying action sequence- both on and off this blog; I am known to appreciate a good bit of gunplay as much as anyone (I was contemplating at least two other works; but ultimately decided to delay them for now). The Lambda 7214 plot also has much greater weight in the source material, as does the character of Smee (no relation to the Peter Pan character, I'm afraid). Bottom line- there is a cure for the condition plaguing the world and its enemies; and this point carries into the next episode.

Episode 7 

The debate about whether or not to break the promise and use the cure (as well as a gateway to a world without demons) is not only more engaging in the manga to me; but the contrast between Emma wanting a peaceful solution and Norman wanting to take action just makes me want to shut this off and rewatch Nausicaa again instead. Yet, I've come this far; so I might as well continue.

Episode 8

Now comes the part where we find out the details of Norman's escape from Grace Field; and his subsequent falling in with the backers of Lambda 7214; including their late primary financier Peter Ratri. All things considered, both the character and this plotline should be enough to carry an engaging story... except most of the circumstances of his escape are condensed into a single episode. Moreover, the impact of the character's face turn is effectively nullified by compressing the adaptation like this. The manga built up the impact of the drugs Norman was given and the decision to not go through with the eradication of the demons properly. Here though, this turn makes no sense. That is a feeling that will continue through the remainder of this season.

Episode 9

Case in point- How easily Norman decides against his plan to retaliate against the demons. I have seen people compare the anime rendition of this turnaround unfavorably to the infamous "save Martha" exchange;  and I can understand why. Let's just say that his rendition of "I want to live" doesn't hold a candle to Nico Robin at all.

Episode 10

Here, upon returning to Grace Field; Emma, having learned the sickening truth; decides to confront Peter. If the story had actually been given the time it needed to flesh out on screen as it did on the page; perhaps this could have been serviceable. Instead, it seems needlessly and carelessly thrown together. That includes Isabella and her role in these last couple episodes; which recalls the "somehow, Palpatine has returned" meme. I that bit find amusing even as someone who likes The Rise of Skywalker. What I do not find amusing is the massive downgrade in animation this episode and the finale have. Condensing the bulk of the action into a bunch of still shots may not be the only side effect of the pandemic (finally got my booster as I type this), but it's one of the more egregious casualties of that season.

Episode 11

Now, the conclusion has come. Peter reveals his role in Minerva's death; and his attempts to justify his actions are among the worst faux philosophy psychobabble I've dealt with since finishing my look at Code Geass R2 five years ago. A significant chunk of the episode is also done as a glorified slideshow. That includes Ratri's backstory; which he divulges before refusing Emma's offer for peace and cutting his throat. On that subject, while I didn't have as much an issue with the children "adopting" Isabella as others in the manga; the shortening of events is once again the fatal flaw in this anime. No joke- the entirety of the final minutes are a slideshow condensing the Grace Field children venturing to the real world and Emma brokering peace with the demons; save the very last scene of Emma reuniting with Phil. It certainly isn't impossible to tell an engaging and coherent story in less than a dozen episodes; but this isn't the way to go about it.

Here is the crown jewel of mismanagement- this season attempted to compress the equivalent of 144 chapters of the manga into a single 11-episode season. For context, the first season only adapted 37 chapters into its 12-episode run. On top of the aforementioned pacing and cuts issues, there was enough material for several seasons of content and a more faithful adaptation. In the pantheon of failed YA stories with wasted potential, the second season ranks among the adaptations of Eragon and Percy Jackson as one of the most mishandled adaptations in any medium. The later volumes of the manga may have been contentious in their own right (with the ending in particular being divisive), but nothing compared to this.

So, with that in mind; if this story were to be adapted again, it's clear a reboot would be the only way to correct the mistakes made by the second season. Instead of cramming multiple volumes into one season, the content can be parceled out over the course of several. Even bigger IPs like Dragon Ball and One Piece still have to make changes, but they're typically changes that make sense. Being produced during the pandemic didn't help matters either; but when other series managed to make more sound changes (totally get why season 5 of MHA quite literally flipped the script on the main arcs it adapted), it's particularly baffling and disheartening.

Bottom line- few series this promising have cratered this fast. The second season of The Promised Neverland is a textbook example of how not to adapt a story into another medium. This may not be a conventional Halloween or milestone celebration (this marks my 700th post); but I am glad to finally have this done. No joke-  I started drafting this in my head the moment the second season concluded two years ago; and it has taken me precisely that long to dissect its failures. Rest assured, there will be other subjects to address that I will enjoy discussing much more. Thank you everyone; and Happy Halloween.

Friday, September 8, 2023

Pokémon- Distant Blue Sky (EN) Review- How to Master Emotion

Welcome to my full review of Pokémon- Distant Blue Sky. The English dub of this special marks the end of an era for the series; and in my honest view; a good one to go out on. Let’s open this up and get started.

A few things before we begin: the character Ren is called Len, because another character already used the former name. While Soh keeps his name from the JP dub; Sae is called Susan; and their son Haruto is called Sunny. As I go through this review, you’re going to find out why.

Courtesy- ShoPro/TV Tokyo/The Pokémon Company


The special opens on Ash swimming with water Pokémon; and having an encounter with Gyarados! Putting on his outfit, he has a battle with Len and his Machamp. There’s even a nice little moment of Pikachu bonding with other Pikachu by doing a “High Tail” with them.

At a nearby Pokémon Center, Ash takes a call from his mother Delia; who tells him is father will be visiting tomorrow! This special takes place in the I Choose You timeline, and I would not object to seeing more stories in this timeline if possible.

As a familiar looking group tails them, he and Pikachu spend the night in a hollowed tree stump near Gengar shrines. He gets woken up the next morning by a Lickitung, and notices his partner is missing!

Ash meets Sunny, who leads him to where Pikachu was taken! He’s being held by Team Rocket in a glass jar; and though they only have a single cracker to celebrate; more to come is promised. Ash dives down to rescue his partner, simply unlocking the jar with the key while they say their motto.

Sunny and Ash are introduced, and the way he doesn’t reach to take Ash’s hand is an early tell about who Sunny really is. Hijinks ensue as Ash tries to explain how touching a Pokémon feels, including a scene of them having to outrun some Beedrill.

Sunny is familiar with the area, and leads Ash and Pikachu to a garden of Oran Berries. Inside the house, Soh is painting the distant blue sky as Sunny and Ash bond over his favorite painting. Susan gives Ash some of the berries and two loaves of freshly baked bread. Ash offers Sunny a piece, but he lets him and Pikachu have it.

After Ash and Pikachu eat, Sunny asks them a favor. He had a hat taken from him by a group of Mankey, and asks for help to reclaim it. Ash agrees, saying that happened to him before. This also implies Primeape Goes Bananas is canon to the “I Choose You” timeline as well.

Pikachu wants to bring the thunder, but Ash suggests a different approach. He tries asking for it first, which causes the Mankey to throw things at them in response. Ash then proposes an exchange- his own hat; which also explains why he has different ones in the Mewtwo Strikes Back remake and Secrets of the Jungle.

Ash returns to Soh and Susan’s cottage, and Soh asks Ash about the hat. It’s then revealed that Sunny wanted to be a Pokémon trainer like Ash did. He was Soh and Susan’s son; who loved the distant blue sky that Soh has been painting. Sadly, he was also very ill, and he died a year before the events of this special. Moreover, the dub doesn’t try to hide this fact; and adds another factor I appreciate- like many projects that have seen release in recent memory; it’s helped me come to terms with my own brother’s passing.

This scene of their shadows on the painting is also a subtle indicator that I’ve wondered ever since I first saw this- though it’s not outright stated, the implication is clear: Soh is Ash’s father; and we get another hint that I will address in the denouement.

Soh vows to continue his art, painting even more landscapes and Pokémon his son loved as Ash bids him and Susan goodbye. I especially like this line from Susan- “things we assumed would always be around are now something to be grateful for.”

Before Ash leaves, he’s able to bond with Sunny’s essence using his aura; suggesting he has the power to sense aura in this timeline as well. If the opportunity comes, I would love to see more of the I Choose You timeline.

That night, Ash is given his original hat by his father; and as he sits down to a dinner of his favorite croquettes, I can now say I was right about what I suggested when I addressed the JP dub of this special. I am very grateful for the time I have spent with this series indeed.

There’s even an end of an era from a metafictional perspective-  this is the last project that James Carter Cathcart completed work on for the series; making him the longest-serving voice actor for the EN dub before retiring due to throat cancer. Not just from the series; but from voice acting as a whole.

The next morning, Ash is given breakfast from Delia as he heads out to find Entei with Pikachu in tow; closing out this special and this era of the anime on a very positive note.

As for what I plan to do next with this anime- I will continue to cover the last quarter-century of legacy content in some capacity. Haven’t quite worked out how I want to approach Horizons yet, but I do have plans for the video games lined up: past, present; and future.With that in mind, “Distant Blue Sky” is an ideal anime to close the book on this chapter of the franchise. 

Though I may not know what to expect going forward, I will always be glad to have spent time with this story and sharing my thoughts with you all. Thank you, treasured friends.

Thursday, August 17, 2023

Trigun Stampede (2023)- A Conflicted Second Look.

Now that its initial run has ended, it's finally time. Some people have come around to this anime- I have not. I don't hate it; but I also don't think it's necessary either. Here is my conflicted second look at Trigun Stampede.

Courtesy: Crunchyroll/ORANGE

In order to explain my thoughts, it will be necessary to look at the whole first course of the anime (talk persists of more, but we'll see how that goes). I've already spoken my piece about the first few episodes, so let's go from there.

Now, on with episode 4, which actually starts off all right with some bandits eating insect meat and expressing interest in trying plant-based food. This is actually one of the few pure 2D sequences, and one of the few that actually captures the spirit of the manga (would have preferred if they focused on the cattle punk and desert punk aspects of the source material rather than the more overt science fiction parts). The episode; entitled "Hungry," doesn't take long to drift downward; with Wolfwood's entrance being an early mark at the end of the cold open. I could believe his counterpart in the manga and original anime was a scruffy, world-weary preacher. Here, he looks like a male model on his way to a GQ photoshoot. Kind of telling he looks more convincing after getting clipped by their caravan.

Episode 5 features an out-of-place "needle noggin" comment which makes no sense because of the way they redesigned Vash (it would be like calling the live-action Drax "green" when the GOTG movies made him blue instead), and is entitled "Child of Blessing." This was around the time I tapped out and decided to wait for the whole series to come online; though it admittedly wasn't the worst thing ever (stock storyline aside). From here on out, it will include my thoughts on the show as I view it.

On to episode 6, "Once Upon a Time in Hopeland." Don't let the title fool you- this episode has more in common with Call of Duty than Sergio Leone. Not even the sand steamer and a few decent gunfights could bring the experience above average for me. Even a hint at character backstory done in the style of old silent films just makes me wish the show had more visual inventiveness to go around.

Next up is episode 7, which has some 2D sequences with Wolfwood's adoptive brother Livio that I would have preferred the rest of the anime looked like. Yet, that's not enough to make up for the rest of the issues I had with it. In particular,  the Bad Lads' redesigns were not what I was looking for. Given how much I liked the original gang, I was not onboard for faceless goons that look like Borderlands cosplayers. Its name is "Wolfwood," which doesn't show up till the episode is almost over. Neglecting the previously mentioned sand steamer; I seriously don't understand the "Punisher" nickname for his character. He's honestly more like the Preacher; and I seriously think they should have leaned into the influence of Mignola and McFarlane more.

On with episode 8, and it's one I haven't been looking forward to addressing- the retelling of Vash and Knives' backstory. The original anime and manga took the time needed to build up to this storyline. Here, it just feels so rushed that the emotional impact feels forced as all get-out. It's called "Our Home," and they definitely walked into this one.

Episode 9 is known as "Millions Knives," and I honestly prefer the ninth episode of the Skywalker Saga. I am not among those who were onboard with the changes to Knives' character. Granted, I know the original anime took some as well; but at least they were built up properly over the course of the entire series. That, and the manga wasn't finished at the time of the original airing. Here- I do not feel that the depiction of Knives as the threat he's depicted as is earned; and his history with Vash feels forced this time around. I reiterate it is possible to show the contrast between their characters without effectively turning Knives into A-Train.

"Humanity" is an ironic title for episode 10; because the original source material and classic anime made me feel like humanity was worth saving. Here, however- seeing Ju-Lai depicted as a Great Value Midgar would have me rooting for the Worms... had they not been rendered like they came from PS2 shovelware. That, and they got Meryl's character completely wrong- she wouldn't be apologizing over and over for her actions; she'd be telling her partner to shut up and run before they got skewered. That, and Elandra turning against her creators feels less engaging than when even Mewtwo did it. Lastly, Roberto's death and giving Meryl her derringer doesn't feel earned to me; since nothing really changed in their relationship to justify this. He wasn't "unlucky" as he claimed- he was a boozing, chain-smoking cynic who never changed even with his blood in an elevator.

The final stretch begins with episode 11, which reveals Knives' true role in the story's events and a myriad of changes that completely shatter suspension of disbelief in their new context. The title, "To a New World" isn't revealed until the end; and though there are brief moments that actually show fidelity to the source material, I can't shake the feeling of "too little, too late" in my head. I'm doing my best to be fair, but it's one of those times where I can't really compliment anything without bringing up clear caveats.

The finale enters its second part in episode 12, in which Vash finally starts resembling his counterpart from the manga and classic anime in both looks and personality. Yet, it still has the aforementioned "too little, too late" feeling. The animation also has the quality I expect from ORANGE after they completed Land of the Lustrous and BEASTARS. The gunfight between Vash and Knives ironically makes me have even more conflicted feelings towards this anime, because it has me wishing the rest of the series was more like that. This is still contrasted by everything else looking like someone tried to make a Devil May Cry machinima in Unity. Also, the subtlety that was in Knives' previous portrayal officially goes out the window once he cuts a group of militia from Julai in half. Honestly astonished they tripled down on turning him into A-Train. Even worse, the final moments; which involves the two being launched into space (it happens) and crashing back down to the planet's surface smashes into the title, "High Noon at July." This caused me to ask the same twofold question I asked myself when I found out about this anime. If you're going to adapt this, why not do a more faithful adaptation of the manga or Maximum? If you're going to make all these changes, why not make your own story and not call it Trigun? This is a trap a lot of material falls into; where instead of making a complete story, they make a glorified teaser for one that we might never see happen. I fail to see how sending Meryl to the Insurance Society is a threat when that's what I wanted to begin with. It's like trying to punish me by serving me chocolate mousse and wild Alaskan Salmon. They also went the amnesia route to wipe Vash and Knives' memories, and justify their bounties in the main story. Smooth.

I reaffirm this isn’t the worst CGI anime ever (the 2016 Berserk exists, after all), but it's just not what I'm looking for. Honestly, I among many that would have preferred a direct adaptation of the manga and/or Maximum. I still would like that over a second course. I'll just deal with FLCL Grunge and Shoegaze as they come.

I would understand the creative decisions if this was made people that were unfamiliar with the source material, but no- this was apparently overseen by none other than the series creator himself; with the changes approved over drinks. There is talk about reintroducing familiar elements in the second course (especially fan favorite character Milly Thompson); but it's going to be quite the challenge either way. 

At this point; might be more feasible to just give this anime a "de-boot:" put this version in an alternate continuity, then do a direct adaptation of the original manga and Maximum with little to no CGI. Overall, while I don't think Trigun Stampede is a the worst thing I've ever seen; I also wouldn't put it on the same pedestal as I do the original. Though I am interested in the reprints of the manga; I am not as convinced about this being the blueprint for the franchise's future as others. That is all for now, and keep chasing love and peace.